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home·artworks·Self Portrait
Self Portrait by Mårten Eskil Winge

plate no. 5207

Self Portrait

Mårten Eskil Winge

oilRomanticismself-portraitportraitmanbeardsuitovalfigure
some experience helpful

Recreating this portrait will help students develop skills in value shading and capturing likeness through careful observation of proportions and facial features. It also provides practice in rendering textures like hair and fabric using different brushstrokes.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the oval and the basic proportions of the head, shoulders, and facial features.

  2. step 02

    Establish the darkest and lightest areas of the portrait to define the overall value range.

  3. step 03

    Begin filling in the mid-tones, focusing on creating smooth transitions between light and shadow.

  4. step 04

    Pay close attention to the details of the face, such as the eyes, nose, and mouth, to capture the likeness of the subject.

  5. step 05

    Add texture to the hair and beard using short, broken brushstrokes.

  6. step 06

    Refine the details of the suit and bow tie, paying attention to the folds and wrinkles in the fabric.

  7. step 07

    Adjust the overall values and contrast to create a sense of depth and dimension.

  8. step 08

    Add final highlights and shadows to enhance the realism of the portrait.

color palette

primary · ivory black · titanium white

secondary · payne's gray · raw umber

Mix varying proportions of black and white to achieve different shades of gray. Use small amounts of raw umber or payne's gray to add subtle warmth or coolness to the grays.

techniques

  • ·value shading
  • ·blending
  • ·hatching
  • ·scumbling

common pitfalls

  • →Failing to establish a strong value range, resulting in a flat and lifeless portrait.
  • →Over-blending, which can make the portrait look too smooth and artificial.
  • →Ignoring the subtle variations in tone and texture, which can make the portrait look unrealistic.
  • →Getting proportions wrong early on, making it difficult to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife

optional

  • ·raw umber oil paint
  • ·payne's gray oil paint
  • ·medium gloss
  • ·easel

Use a smooth canvas for easier blending. Consider using a toned canvas to establish a mid-tone value from the start.

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