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Self-portrait by Ludovic Alleaume

plate no. 1047

Self-portrait

Ludovic Alleaume, 1885

oilArt Nouveau (Modern)self-portraitportraitmanbeardhairfaceclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in using a limited palette to create a range of values and textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the face and figure within the circular format.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up the skin tones, layering colors to create depth and realism. Pay close attention to the subtle variations in color and value.

  4. step 04

    Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.

  5. step 05

    Render the hair and beard, using a variety of brushstrokes to create texture and volume.

  6. step 06

    Paint the clothing and background, using loose and expressive brushstrokes.

  7. step 07

    Refine the details and adjust the values as needed to create a cohesive and harmonious composition.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red light · yellow ochre

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, with small amounts of cadmium red light for warmth. Use ivory black and burnt umber for shadows and hair.

techniques

  • ·portraiture
  • ·value studies
  • ·color mixing
  • ·layering
  • ·blending

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall sense of harmony.
  • →Using colors that are too bright or saturated.
  • →Failing to create a convincing sense of depth and volume.

materials

surface · stretched canvas

required

  • ·stretched canvas (circular or square)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the initial value structure.

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oil painting for beginners →how to learn by studying the masters →
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