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home·artworks·Self-Portrait
Self-Portrait by Lorenzo Lotto

plate no. 9311

Self-Portrait

Lorenzo Lotto, 1545

oil, panelHigh Renaissanceself-portraitportraitmanhatbeardclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and rendering of textures like hair and fabric. It also offers practice in creating a sense of depth and form through careful value control.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, hat, and shoulders.

  2. step 02

    Establish the background color with a thin wash of muted green and brown.

  3. step 03

    Block in the main areas of the face, beard, hat, and clothing with simplified color masses.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow patterns.

  5. step 05

    Develop the beard with short, directional brushstrokes, varying the color and value.

  6. step 06

    Add details to the hat and clothing, focusing on the folds and textures.

  7. step 07

    Refine the background, adding subtle variations in color and texture.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · yellow ochre · cadmium red light

Mix skin tones by blending white, raw umber, burnt umber, and a touch of red. Achieve the dark tones of the hat and clothing by mixing black with umber and a hint of blue. The background is a mix of raw umber, yellow ochre, and white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Making the dark areas too uniform and lacking depth.
  • →Failing to capture the subtle variations in color and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. A medium can be added to the paints to improve flow and blending.

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oil painting for beginners →how to learn by studying the masters →
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