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home·artworks·Self-portrait
Self-portrait by Knud Baade

plate no. 5208

Self-portrait

Knud Baade

oil, canvasRomanticismself-portraitportraitfiguremanclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric and creating subtle value transitions.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Block in the background with a thin layer of burnt umber and raw sienna.

  3. step 03

    Establish the main light and shadow areas on the face using a limited palette of earth tones and white.

  4. step 04

    Refine the facial features, paying close attention to the subtle variations in skin tone.

  5. step 05

    Paint the clothing, focusing on the folds and textures of the fabric.

  6. step 06

    Add details such as the hair, mustache, and buttons.

  7. step 07

    Glaze thin layers of color to adjust the values and create depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · cadmium yellow light · alizarin crimson

Achieve skin tones by mixing burnt umber, raw sienna, and white, with small amounts of cadmium yellow and alizarin crimson for warmth. Use ivory black and burnt umber for the dark clothing, adding white for highlights.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the dark clothing too flat and lifeless.
  • →Ignoring the importance of reflected light.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits
  • ·mahl stick

Use a smooth canvas for best results. Consider using a toned ground to help establish the overall color harmony.

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