
plate no. 4562
John Pettie, 1881
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with loose brushstrokes. It also provides practice in color mixing to achieve realistic skin tones and subtle value changes.
technical profile
approach — 8 steps
Sketch the oval shape and basic proportions of the head and shoulders.
Block in the background with a dark, warm brown.
Establish the main light and shadow areas on the face and clothing using a limited palette.
Begin layering colors to build up skin tones, paying attention to subtle variations.
Refine the details of the beard, hair, and facial features with smaller brushes.
Add highlights to the hair, nose, and forehead to create depth.
Paint the clothing, focusing on the folds and shadows.
Add the signature in the lower right corner.
color palette
primary · burnt umber · raw sienna · titanium white · cadmium red
secondary · ultramarine blue · ivory black
Mix burnt umber and raw sienna for the base skin tone. Add cadmium red for warmth and titanium white for highlights. Use ultramarine blue and ivory black sparingly for shadows and clothing details.
techniques
common pitfalls
surface · stretched canvas
required
optional
A canvas with a slight texture will help to create a more painterly effect. Consider using a pre-toned canvas with a warm brown color.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke