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home·artworks·Self Portrait
Self Portrait by John Pettie

plate no. 4562

Self Portrait

John Pettie, 1881

oilRomanticismself-portraitportraitfiguremanbeardclothinghead
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with loose brushstrokes. It also provides practice in color mixing to achieve realistic skin tones and subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the oval shape and basic proportions of the head and shoulders.

  2. step 02

    Block in the background with a dark, warm brown.

  3. step 03

    Establish the main light and shadow areas on the face and clothing using a limited palette.

  4. step 04

    Begin layering colors to build up skin tones, paying attention to subtle variations.

  5. step 05

    Refine the details of the beard, hair, and facial features with smaller brushes.

  6. step 06

    Add highlights to the hair, nose, and forehead to create depth.

  7. step 07

    Paint the clothing, focusing on the folds and shadows.

  8. step 08

    Add the signature in the lower right corner.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · ivory black

Mix burnt umber and raw sienna for the base skin tone. Add cadmium red for warmth and titanium white for highlights. Use ultramarine blue and ivory black sparingly for shadows and clothing details.

techniques

  • ·portraiture
  • ·alla prima
  • ·scumbling
  • ·color mixing
  • ·brushwork

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Using too much white and making the skin tones look chalky.
  • →Ignoring the subtle color variations in the skin.
  • →Getting the proportions of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas (oval shape if possible)
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ultramarine blue, ivory black)
  • ·assorted brushes (round and flat, various sizes)
  • ·palette
  • ·linseed oil or other painting medium
  • ·palette knife
  • ·odorless mineral spirits or turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color chart

A canvas with a slight texture will help to create a more painterly effect. Consider using a pre-toned canvas with a warm brown color.

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oil painting for beginners →how to learn by studying the masters →
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