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Self portrait by John Hoppner

plate no. 0325

Self portrait

John Hoppner, 1800

oilRomanticismself-portraitportraitfiguremanclothingfaceself-portrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in achieving a sense of depth and atmosphere through careful color mixing and brushwork.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the darkest areas of the background and clothing with a thin wash of dark brown.

  3. step 03

    Block in the mid-tones of the face and clothing, paying attention to the overall value structure.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and proportions.

  5. step 05

    Develop the highlights and shadows on the face and clothing, using subtle color variations to create form.

  6. step 06

    Add details to the hair and clothing, such as individual strands of hair and folds in the fabric.

  7. step 07

    Refine the edges of the figure and clothing to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · titanium white · cadmium red

secondary · yellow ochre · ivory black

Achieve the skin tones by mixing titanium white, cadmium red, and a touch of yellow ochre. Use burnt umber and ivory black for the dark background and shadows, adjusting the ratio to control the value.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Incorrect proportions of the facial features.
  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Using too much paint, obscuring the underlying layers.
  • →Neglecting the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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