
plate no. 4007
Johann Nepomuk Passini, 1835
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in layering watercolor washes to create depth and form.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, paying attention to the overall composition.
Apply a light wash of diluted yellow ochre or raw sienna to the entire paper to create a warm underpainting.
Begin layering washes of color to establish the skin tones, starting with the lightest areas and gradually building up the shadows.
Paint the clothing, using darker washes to define the folds and shadows.
Carefully render the hair, using small brushstrokes to create texture and volume.
Add details such as the eyes, nose, and mouth, paying close attention to their shape and placement.
Refine the overall composition by adding highlights and shadows as needed.
Add final details like the ring and the chain.
color palette
primary · ultramarine blue · burnt sienna · yellow ochre
secondary · ivory black · alizarin crimson
Mix burnt sienna and ultramarine blue to create various shades of gray and black for the clothing. Use alizarin crimson and yellow ochre to create realistic skin tones.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paints and paper for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke