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home·artworks·Self-portrait
Self-portrait by Jan Matejko

plate no. 7505

Self-portrait

Jan Matejko

oilRomanticismself-portraitportraitmanbeardglasseshairclothing
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also provides practice in layering and blending oil paints to create subtle variations in color and value.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic oval shape and the main features of the face, hair, and beard.

  2. step 02

    Block in the background with a dark reddish-brown color.

  3. step 03

    Establish the main light and shadow areas on the face and beard using thin washes of color.

  4. step 04

    Begin layering in more detail on the face, paying attention to the subtle variations in skin tone.

  5. step 05

    Develop the beard and hair, using short, broken brushstrokes to create texture.

  6. step 06

    Add details to the eyes, nose, and mouth to capture the likeness of the subject.

  7. step 07

    Refine the background and clothing, adding subtle details and highlights.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · yellow ochre

Mix burnt umber and raw sienna with white to create the base skin tones. Use small amounts of cadmium red and yellow ochre to add warmth to the skin. Mix ivory black with burnt umber to create the dark tones in the beard and hair.

techniques

  • ·portraiture
  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of accurate proportions.
  • →Failing to capture the subtle variations in skin tone.
  • →Overworking the painting, resulting in a stiff or unnatural appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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