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Self-Portrait by Henry Raeburn

plate no. 4144

Self-Portrait

Henry Raeburn, 1820

oil, canvasRomanticismself-portraitportraitfiguremanclothinghandface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and creating depth through subtle value changes. It also provides practice in capturing likeness and conveying a sense of character.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions of the head, shoulders, and hand.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the main areas of light and shadow on the face and clothing.

  3. step 03

    Begin refining the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  4. step 04

    Mix and apply a range of skin tones, using thin layers to build up depth and luminosity.

  5. step 05

    Define the details of the clothing, focusing on the folds and textures.

  6. step 06

    Soften the edges of the forms to create a sense of atmosphere and realism.

  7. step 07

    Add highlights to the face and clothing to enhance the sense of light and form.

  8. step 08

    Make final adjustments to the values and colors to achieve a cohesive and convincing portrait.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · burnt sienna

Achieve skin tones by mixing white, yellow ochre, cadmium red light, and a touch of raw umber. Use ivory black and raw umber for the dark clothing and background, adding white to create subtle variations in value.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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