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Self-portrait by Hans von Aachen

plate no. 2072

Self-portrait

Hans von Aachen, 1574

oilMannerism (Late Renaissance)self-portraitportraitfiguremanclothingfaceruff
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and rendering subtle skin tones. It also offers practice in painting fabric textures and creating depth through value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and ruff.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or similar earth tone.

  3. step 03

    Begin blocking in the major color areas of the skin, hair, clothing, and background.

  4. step 04

    Refine the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Develop the details of the ruff, using small brushstrokes to create the folds and texture.

  6. step 06

    Add highlights and shadows to create depth and dimension in the face and clothing.

  7. step 07

    Soften edges and blend colors to create a smooth, naturalistic effect.

  8. step 08

    Add final details and adjustments to complete the painting.

color palette

primary · titanium white · burnt umber · cadmium red · ivory black

secondary · yellow ochre · ultramarine blue

Skin tones are achieved by mixing white, red, umber, and a touch of yellow ochre. Dark areas are created with umber and black, lightened with white. The ruff is primarily white with subtle shadows of grey and blue.

techniques

  • ·portraiture
  • ·blending
  • ·value study
  • ·layering
  • ·scumbling

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overly harsh or unnatural skin tones.
  • →Losing the overall value structure.
  • →Neglecting the details of the ruff.
  • →Over-blending, resulting in a flat, lifeless appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·mahogany oil paint

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve flow.

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