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home·artworks·Self-portrait
Self-portrait by Gino Severini

plate no. 9188

Self-portrait

Gino Severini, 1908

pastel, paperImpressionismself-portraitportraitfigureself-portraitmanface
some experience helpful

Recreating this painting will help students develop skills in portrait sketching, color mixing for skin tones, and using visible brushstrokes to create texture and form. It's a good exercise in capturing likeness and expression with a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and facial features.

  2. step 02

    Establish the overall composition and proportions.

  3. step 03

    Block in the main areas of color, focusing on the background and general skin tones.

  4. step 04

    Start layering colors to build up the form and create depth in the face.

  5. step 05

    Add darker values to define shadows and contours.

  6. step 06

    Introduce highlights to create a sense of light and volume.

  7. step 07

    Refine the details of the eyes, nose, and mouth.

  8. step 08

    Add final touches and adjust colors as needed.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ultramarine blue

Mix yellow ochre and burnt umber with white for the base skin tones. Add small amounts of red for warmth and blue for shadows. Use white to create highlights.

techniques

  • ·cross-hatching
  • ·color layering
  • ·scumbling
  • ·blending
  • ·portrait sketching

common pitfalls

  • →Over-blending, which can flatten the image.
  • →Getting the proportions wrong in the initial sketch.
  • →Using too much white, which can make the skin look chalky.
  • →Ignoring the subtle color variations in the skin.

materials

surface · drawing paper

required

  • ·pastel set
  • ·drawing paper
  • ·kneaded eraser
  • ·fixative spray
  • ·soft pastel pencils
  • ·blending stumps
  • ·ruler

optional

  • ·palette knife
  • ·easel
  • ·workable fixative

Use a paper with a slight tooth to grip the pastel. A toned paper can also be helpful.

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related guides

color theory for painters →how to learn by studying the masters →
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