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Self-portrait by Fyodor Bronnikov

plate no. 3978

Self-portrait

Fyodor Bronnikov, 1889

oilRomanticismself-portraitportraitmanbeardfaceclothinghair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also offers practice in subtle color mixing and blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic oval shape and the placement of the head, shoulders, and facial features.

  2. step 02

    Block in the background with a dark, warm brown.

  3. step 03

    Establish the main light and shadow areas on the face and clothing using thin washes of color.

  4. step 04

    Begin building up layers of color on the face, paying attention to subtle variations in skin tone.

  5. step 05

    Refine the details of the eyes, nose, and mouth, focusing on accurate proportions and values.

  6. step 06

    Add texture to the beard and hair using small, controlled brushstrokes.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the portrait.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, sienna, umber, and small amounts of red and yellow. Use blue and black to create shadows and cool tones.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing
  • ·portraiture

common pitfalls

  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Incorrect proportions of facial features.
  • →Ignoring subtle color variations in skin tone.
  • →Getting the values wrong, leading to a lack of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, cadmium red light, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for layering and blending.

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oil painting for beginners →how to learn by studying the masters →
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