
plate no. 3978
Fyodor Bronnikov, 1889
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also offers practice in subtle color mixing and blending.
technical profile
approach — 8 steps
Sketch the basic oval shape and the placement of the head, shoulders, and facial features.
Block in the background with a dark, warm brown.
Establish the main light and shadow areas on the face and clothing using thin washes of color.
Begin building up layers of color on the face, paying attention to subtle variations in skin tone.
Refine the details of the eyes, nose, and mouth, focusing on accurate proportions and values.
Add texture to the beard and hair using small, controlled brushstrokes.
Adjust the values and colors throughout the painting to create a sense of depth and realism.
Add final highlights and details to complete the portrait.
color palette
primary · burnt umber · raw sienna · titanium white · ivory black
secondary · cadmium red light · yellow ochre · ultramarine blue
Achieve skin tones by mixing white, sienna, umber, and small amounts of red and yellow. Use blue and black to create shadows and cool tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for layering and blending.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke