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Self-portrait by Francisco Oller

plate no. 7276

Self-portrait

Francisco Oller

oilImpressionismself-portraitportraitfiguremanbeardclothingface
some experience helpful

Recreating this portrait will help students develop skills in color mixing for skin tones and creating form with subtle value changes. It also provides practice in capturing likeness and creating a sense of depth through layering.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and beard.

  2. step 02

    Establish the background color with a thin wash of blue and white.

  3. step 03

    Block in the main areas of color for the face, beard, and clothing using simplified values.

  4. step 04

    Begin layering and blending colors to refine the skin tones, paying attention to highlights and shadows.

  5. step 05

    Add details to the beard, using short, broken brushstrokes to create texture.

  6. step 06

    Refine the details of the clothing, capturing the folds and shadows.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to the face and beard to complete the portrait.

color palette

primary · titanium white · cadmium red · yellow ochre · ultramarine blue

secondary · burnt umber · ivory black

Skin tones are achieved by mixing white, yellow ochre, cadmium red, and a touch of blue. The red clothing is a mix of cadmium red and a touch of burnt umber. The beard uses a mix of white, yellow ochre, and burnt umber.

techniques

  • ·color mixing
  • ·blending
  • ·layering
  • ·dry brush
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting lost in details too early in the process.
  • →Not paying attention to the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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