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home·artworks·Self-portrait
Self-portrait by Filipp Malyavin

plate no. 7516

Self-portrait

Filipp Malyavin

oilArt Nouveau (Modern)self-portraitportraitfigureiconscandleswindowinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating depth through layering and brushwork. It also provides practice in capturing the essence of a subject through expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on proportions and placement of the figure and background elements.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up the skin tones with layers of color, paying attention to subtle variations in hue and value.

  4. step 04

    Define the features of the face with more precise brushstrokes, capturing the likeness of the subject.

  5. step 05

    Paint the background elements, such as the icons and window, using bold brushstrokes and simplified shapes.

  6. step 06

    Add details to the clothing and other elements, creating texture and visual interest.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a cohesive and balanced image.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium red · viridian green · purple

Mix skin tones using white, yellow ochre, burnt umber, and a touch of red. Achieve the dark blues of the suit by mixing ultramarine blue with burnt umber. The greens are created with yellow ochre and viridian green.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·layering
  • ·impasto

common pitfalls

  • →Overblending skin tones, resulting in a flat and lifeless appearance.
  • →Ignoring subtle color variations in the face and background.
  • →Getting lost in details too early, before establishing the overall composition.
  • →Using too much paint, resulting in a muddy and overworked surface.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel
  • ·rags

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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