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home·artworks·Self-portrait
Self-portrait by Federico Faruffini

plate no. 7233

Self-portrait

Federico Faruffini

oilRomanticismself-portraitportraitself-portraitmanbeardheadface
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow on a face, as well as mixing subtle skin tones. It also provides practice in creating depth and form using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes of the head, shoulders, and facial features.

  2. step 02

    Block in the darkest areas of the background and shadows with a dark brown or black.

  3. step 03

    Establish the main light source and block in the areas of the face that are directly illuminated with a mid-tone.

  4. step 04

    Gradually build up the highlights on the face, mixing lighter tones and blending them smoothly.

  5. step 05

    Define the details of the beard and hair, using small brushstrokes to create texture.

  6. step 06

    Refine the shadows and highlights, paying attention to the subtle variations in tone.

  7. step 07

    Add details to the eyes, nose, and mouth, using small brushes and precise strokes.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the light and shadow are balanced.

color palette

primary · burnt umber · raw umber · titanium white

secondary · yellow ochre · ivory black

Mix skin tones by blending burnt umber, raw umber, yellow ochre, and titanium white. Use ivory black sparingly to darken shadows. Achieve subtle variations by adding small amounts of yellow ochre or white to the base skin tone.

techniques

  • ·chiaroscuro
  • ·blending
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Using too much black, making the painting appear muddy.
  • →Ignoring the subtle variations in skin tone.
  • →Failing to establish a strong light source.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use high-quality oil paints for best results. A toned canvas (e.g., with a thin wash of burnt umber) can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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