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Self Portrait by Eugene Delacroix

plate no. 5202

Self Portrait

Eugene Delacroix, 1837

oil, canvasRomanticismself-portraitportraitmanclothinghairfaceself-portrait
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in creating a sense of depth and atmosphere through loose brushwork and limited color palette.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's proportions and pose.

  2. step 02

    Establish the background with broad strokes of warm browns and golds.

  3. step 03

    Block in the main areas of the face, hair, and clothing with mid-tones.

  4. step 04

    Begin to refine the facial features, paying close attention to the light and shadow.

  5. step 05

    Add details to the hair, using short, broken brushstrokes to create texture.

  6. step 06

    Develop the clothing, focusing on the folds and drapery.

  7. step 07

    Refine the background, adding subtle variations in color and value.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · Prussian blue · yellow ochre

Achieve skin tones by mixing white, burnt umber, and a touch of yellow ochre. Use Prussian blue to cool down shadows and create subtle variations in the blacks.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·alla prima
  • ·portraiture
  • ·value studies

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of edges.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·odorless mineral spirits

Use a medium-grit canvas for better texture. Consider toning the canvas with a thin wash of burnt umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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