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Self-portrait by Ernest Hébert

plate no. 6115

Self-portrait

Ernest Hébert, 1834

oilRomanticismself-portraitportraitmanclothingfacehairself-portrait
some experience helpful

This painting provides practice in portraiture, focusing on subtle skin tone variations and capturing a likeness. Students will also learn to create depth using a limited color palette and soft blending techniques.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features.

  2. step 02

    Establish the background color with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main areas of light and shadow on the face using a limited palette of white, yellow ochre, and burnt umber.

  4. step 04

    Refine the skin tones by gradually layering and blending colors, paying attention to subtle variations in hue and value.

  5. step 05

    Paint the hair using a mix of black and burnt umber, adding highlights with a touch of white.

  6. step 06

    Block in the dark clothing, paying attention to the folds and shadows.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · ivory black · raw sienna · cadmium red light

Achieve skin tones by mixing white, yellow ochre, and a touch of burnt umber. Use small amounts of red for the lips and cheeks. Darken colors with burnt umber and black.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions of the face.
  • →Using too much paint, leading to a thick and uneven surface.
  • →Ignoring subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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