
plate no. 6115
Ernest Hébert, 1834
This painting provides practice in portraiture, focusing on subtle skin tone variations and capturing a likeness. Students will also learn to create depth using a limited color palette and soft blending techniques.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features.
Establish the background color with a thin wash of burnt umber and raw sienna.
Block in the main areas of light and shadow on the face using a limited palette of white, yellow ochre, and burnt umber.
Refine the skin tones by gradually layering and blending colors, paying attention to subtle variations in hue and value.
Paint the hair using a mix of black and burnt umber, adding highlights with a touch of white.
Block in the dark clothing, paying attention to the folds and shadows.
Refine the details of the face, including the eyes, nose, and mouth.
Add final highlights and shadows to create depth and dimension.
color palette
primary · titanium white · burnt umber · yellow ochre
secondary · ivory black · raw sienna · cadmium red light
Achieve skin tones by mixing white, yellow ochre, and a touch of burnt umber. Use small amounts of red for the lips and cheeks. Darken colors with burnt umber and black.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.
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