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home·artworks·Self Portrait
Self Portrait by Elizabeth Thompson

plate no. 5830

Self Portrait

Elizabeth Thompson, 1869

oilRomanticismself-portraitportraitfigurewomanclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle blending of skin tones. It also provides practice in rendering clothing and accessories with simple brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval shape and the basic proportions of the face and figure.

  2. step 02

    Block in the background with a thin layer of burnt sienna and white, establishing the overall tone.

  3. step 03

    Establish the darks of the hair and clothing using a mix of burnt umber and black.

  4. step 04

    Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Carefully blend the transitions between different skin tones to create a smooth, realistic effect.

  6. step 06

    Add details to the clothing, hair, and accessories, paying attention to the way light interacts with the surfaces.

  7. step 07

    Refine the facial features, focusing on the eyes, nose, and mouth to capture the likeness of the subject.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the painting.

color palette

primary · burnt sienna · titanium white · burnt umber · ivory black

secondary · yellow ochre · cadmium red light

Skin tones are achieved by mixing burnt sienna, white, and small amounts of yellow ochre and cadmium red light. Darker tones are created by adding burnt umber or black to the base skin tone mix.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value control
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the skin tones, resulting in a flat, lifeless appearance.
  • →Failing to capture the subtle variations in skin tone.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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