plate no. 6047

Self-Portrait

Eliseu Visconti, 1902

oil, canvasImpressionismself-portraitfigureportraitself-portraitbeardbrushessky

some experience helpful

This painting offers a good opportunity to practice portraiture and capturing subtle skin tones. Students can also learn about creating depth through soft edges and atmospheric perspective.

technical profile

palette complexity

brushwork visibility

value contrast

compositional simplicity

study guide

est. 15 hrs

approach — 8 steps

step 01
Sketch the basic shapes and proportions of the figure and background.
step 02
Establish the overall value structure with a thin wash of burnt umber.
step 03
Block in the main areas of color, focusing on the skin tones and background.
step 04
Refine the facial features, paying attention to the light and shadow.
step 05
Add details to the hair, beard, and clothing.
step 06
Soften edges and blend colors to create a sense of atmosphere.
step 07
Add highlights and final details to the face and hands.
step 08
Glaze with thin layers of color to adjust the overall tone and saturation.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ultramarine blue · raw sienna · ivory black

Mix skin tones using white, yellow ochre, cadmium red, and a touch of burnt umber. Use ultramarine blue and white for the sky, adding a touch of red for the clouds.

techniques