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home·artworks·Self-Portrait
Self-Portrait by Carl Blechen

plate no. 3547

Self-Portrait

Carl Blechen, 1823

oil, canvasRomanticismself-portraitfigureportraitmanclothinglandscapetrees
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and creating depth using a limited color palette. It also provides practice in loose brushwork and creating atmospheric effects.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure with thin washes of brown and umber.

  3. step 03

    Block in the main areas of the figure's clothing and skin tones, focusing on shadows and highlights.

  4. step 04

    Refine the facial features, paying attention to the subtle shifts in value and color.

  5. step 05

    Add details to the clothing, such as folds and textures, using short, broken brushstrokes.

  6. step 06

    Develop the background with loose, gestural strokes, creating a sense of depth and atmosphere.

  7. step 07

    Add highlights to the figure and background to create contrast and visual interest.

  8. step 08

    Make final adjustments to the composition and details.

color palette

primary · burnt umber · raw umber · titanium white

secondary · yellow ochre · ivory black

Mix various shades of brown and gray by combining umber, black, and white. Use yellow ochre sparingly to warm up skin tones and add subtle highlights.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·value studies
  • ·limited palette painting
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the figure wrong.
  • →Using too much color and creating a muddy effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the initial value structure.

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related guides

oil painting for beginners →how to learn by studying the masters →
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