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home·artworks·Self-Portrait
Self-Portrait by Carel Willink

plate no. 3030

Self-Portrait

Carel Willink, 1944

oilMagic Realismself-portraitportraitfigureartiststudiomannequinbrushes
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations for realistic skin tones, as well as rendering textures like fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a detailed sketch of the composition, paying close attention to proportions and anatomical accuracy.

  2. step 02

    Block in the main shapes and areas of color using thin washes of paint.

  3. step 03

    Begin building up the skin tones with layers of subtle color variations, focusing on light and shadow.

  4. step 04

    Develop the details of the clothing, paying attention to the folds and textures.

  5. step 05

    Paint the background and secondary elements, such as the mannequin and brushes.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and realistic effect.

color palette

primary · raw umber · titanium white · ivory black

secondary · burnt sienna · yellow ochre · cadmium red light

Achieve skin tones by mixing white with small amounts of raw umber, burnt sienna, and yellow ochre. Use ivory black to create shadows and darker values. Mix the jacket color with raw umber, burnt sienna and a touch of cadmium red light.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering
  • ·portraiture

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Ignoring the details of the clothing and background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (raw umber, titanium white, ivory black, burnt sienna, yellow ochre, cadmium red light)
  • ·linseed oil
  • ·turpentine or mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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