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Self-portrait by Bartolomeo Passerotti

plate no. 9860

Self-portrait

Bartolomeo Passerotti, 1560

canvas, oilMannerism (Late Renaissance)self-portraitportraitfiguremanruffclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and rendering of fabric textures. It also provides practice in creating depth through value and color.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the head, shoulders, and ruff.

  2. step 02

    Establish the background with a thin layer of dark, muted green/brown.

  3. step 03

    Block in the main areas of the face with a mid-tone flesh color.

  4. step 04

    Begin adding shadows and highlights to define the facial features, paying close attention to the light source.

  5. step 05

    Develop the details of the eyes, nose, and mouth, focusing on accurate shapes and values.

  6. step 06

    Paint the ruff, using a combination of light and shadow to create the illusion of folds and texture.

  7. step 07

    Paint the dark clothing, keeping the values dark and muted.

  8. step 08

    Refine the details and blend the edges to create a smooth, realistic finish.

color palette

primary · titanium white · ivory black · yellow ochre · burnt umber

secondary · cadmium red light · ultramarine blue · raw sienna

Skin tones are achieved by mixing white, yellow ochre, burnt umber, and a touch of red. Dark areas use black, umber, and blue. The ruff is primarily white with subtle gray shadows.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Inaccurate proportions can ruin the likeness.
  • →Over-blending can make the painting look flat.
  • →Using too much pure white can make the ruff look unnatural.
  • →Neglecting subtle value changes in the skin can result in a lifeless portrait.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for blending and layering.

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