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Self-portrait by Bartholomeus Spranger

plate no. 3449

Self-portrait

Bartholomeus Spranger, 1585

oilMannerism (Late Renaissance)self-portraitportraitfiguremanclothingheadface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures and fabrics, such as the ruffled collar.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions of the head and shoulders, paying attention to the angle and placement of features.

  2. step 02

    Establish the overall value structure by blocking in the darks and lights of the background, clothing, and face.

  3. step 03

    Begin layering the skin tones, starting with mid-tones and gradually building up highlights and shadows.

  4. step 04

    Refine the facial features, focusing on accurate shapes and subtle value changes to capture the likeness.

  5. step 05

    Paint the clothing, paying attention to the folds and highlights in the collar and the texture of the fabric.

  6. step 06

    Add details such as hair, beard, and the small details in the collar.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · titanium white · yellow ochre · burnt sienna

secondary · ivory black · ultramarine blue · cadmium red light

Skin tones are achieved by mixing white, yellow ochre, burnt sienna, and a touch of red. Darker tones are created by adding raw umber and a small amount of black. The collar is primarily white with subtle shadows created by mixing white with a touch of raw umber and blue.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing
  • ·portraiture

common pitfalls

  • →Inaccurate proportions in the initial sketch can lead to a distorted likeness.
  • →Over-blending can result in a flat, lifeless appearance.
  • →Using too much black can muddy the colors.
  • →Neglecting subtle value changes can make the painting look unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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