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home·artworks·Self-portrait
Self-portrait by Alexander Clarot

plate no. 7769

Self-portrait

Alexander Clarot, 1825

watercolor, paperRomanticismself-portraitportraitfiguremanhatbeardwatercolor
some experience helpful

Recreating this painting will help students develop skills in portraiture, watercolor blending, and capturing subtle value changes to create form. It also provides practice in rendering textures like hair and fabric with watercolor.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and hat.

  2. step 02

    Apply a thin wash of diluted warm brown or ochre to the skin areas as a base tone.

  3. step 03

    Build up the skin tones with layers of diluted reds, yellows, and browns, focusing on the shadows and highlights.

  4. step 04

    Paint the hair and beard using a mix of browns and blacks, creating texture with short, broken strokes.

  5. step 05

    Render the hat with a flat wash of black, adding subtle variations in tone to suggest form.

  6. step 06

    Paint the collar with light gray washes, paying attention to the soft shadows and folds.

  7. step 07

    Add details such as the eyes, nose, and mouth, using small brushes and precise strokes.

  8. step 08

    Glaze the entire painting with very diluted washes to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · cadmium red light · yellow ochre · payne's gray

Mix skin tones by combining burnt sienna, yellow ochre, and cadmium red light. Use Payne's gray to create subtle shadows and cool tones. Dilute colors significantly with water to achieve transparent washes.

techniques

  • ·Layering watercolor washes
  • ·Dry brush technique for hair texture
  • ·Glazing to unify colors
  • ·Wet-on-dry blending for soft edges
  • ·Lifting color to create highlights

common pitfalls

  • →Overworking the watercolor and losing transparency
  • →Using colors that are too saturated
  • →Failing to capture the subtle value changes in the skin tones
  • →Making the initial sketch too dark or heavy

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints
  • ·Watercolor paper (140lb cold press)
  • ·Round watercolor brushes (sizes 2, 4, 6)
  • ·Palette for mixing paints
  • ·Water container
  • ·Paper towels
  • ·Pencil (2H or HB)
  • ·Eraser

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Watercolor pencils

Use high-quality watercolor paints for best results. Experiment with different brands of watercolor paper to find one that suits your style.

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watercolor techniques →how to learn by studying the masters →
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