apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self-portrait
Self-portrait by Adolph Tidemand

plate no. 0626

Self-portrait

Adolph Tidemand, 1838

oil, fiberboard, canvasRomanticismportraitportraitmanclothingfacehairbeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle blending of skin tones. It also provides practice in rendering textures of clothing and hair.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the main light and shadow areas on the face and clothing using a thin wash of burnt umber.

  3. step 03

    Begin layering in skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Carefully blend the edges of the skin tones to create smooth transitions.

  5. step 05

    Paint the hair, paying attention to the direction of the strands and the way light hits it.

  6. step 06

    Render the clothing, focusing on the folds and textures.

  7. step 07

    Add details to the face, such as the eyes, nose, and mouth.

  8. step 08

    Refine the overall painting, adjusting values and adding final touches.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ivory black · ultramarine blue

Mix skin tones by blending white, yellow ochre, and a touch of red. Use burnt umber and black for shadows. Add a touch of blue to darken shadows further.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value control
  • ·rendering textures

common pitfalls

  • →Incorrect proportions of the face.
  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Using too much black, making the shadows look muddy.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is a good starting point.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke