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home·artworks·Self-portrait at the easel
Self-portrait at the easel by Sofonisba Anguissola

plate no. 5445

Self-portrait at the easel

Sofonisba Anguissola, 1556

oil, canvasMannerism (Late Renaissance)self-portraitself-portraitfigurepaintingartistpaletteclothing
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle value gradations for skin tones, and rendering clothing folds. It also provides practice in painting a painting within a painting, requiring careful observation of color and detail.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the proportions of the figure and the placement of the easel and painting.

  2. step 02

    Block in the main areas of color: the background, the skin tones, the clothing, and the painting on the easel.

  3. step 03

    Begin refining the skin tones, using subtle value changes to create form and dimension.

  4. step 04

    Add details to the face, such as the eyes, nose, and mouth, paying close attention to their shapes and placement.

  5. step 05

    Work on the clothing, rendering the folds and shadows to create a sense of depth.

  6. step 06

    Paint the painting on the easel, carefully observing the colors and details of the original artwork.

  7. step 07

    Add the final details, such as the lace collar, the brushes, and the palette.

  8. step 08

    Make any necessary adjustments to the values and colors to create a cohesive and realistic image.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ivory black and raw umber for dark clothing and shadows. Mix ultramarine blue and white for the cooler tones in the painting on the easel.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly harsh value contrasts
  • →Inaccurate rendering of skin tones
  • →Neglecting the details of the painting on the easel

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the initial values.

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