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home·artworks·Self-Portrait at the Clavichord with a Servant
Self-Portrait at the Clavichord with a Servant by Lavinia Fontana

plate no. 9383

Self-Portrait at the Clavichord with a Servant

Lavinia Fontana, 1577

oilMannerism (Late Renaissance)self-portraitportraitclavichordfigureservantinteriormusical instrument
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding complex drapery and fabric textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figures and the clavichord.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Begin blocking in the background with dark, muted tones.

  4. step 04

    Start with the face of the main figure, carefully mixing skin tones and paying attention to subtle variations in color.

  5. step 05

    Work on the clothing, focusing on the folds and drapery, and the texture of the fabrics.

  6. step 06

    Paint the clavichord, paying attention to the perspective and the details of the keys and strings.

  7. step 07

    Add the secondary figure, focusing on their pose and expression.

  8. step 08

    Refine the details and add highlights to create a sense of depth and realism.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · alizarin crimson · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, sienna, umber, and a touch of crimson. Use ultramarine to cool down shadows. Create the dark background with a mix of black, umber, and a touch of blue.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·fabric rendering
  • ·underpainting

common pitfalls

  • →Getting the proportions of the figures wrong
  • →Oversimplifying the skin tones
  • →Ignoring the subtle variations in color
  • →Failing to create a sense of depth
  • →Not paying attention to the details of the clothing and clavichord

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a high-quality canvas and oil paints for best results. Allow each layer of paint to dry before applying the next.

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