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home·artworks·Self Portrait Aged about 20
Self Portrait Aged about 20 by David Wilkie

plate no. 2491

Self Portrait Aged about 20

David Wilkie, 1804

oil, canvasRomanticismself-portraitportraitfiguremanclothingself-portraitartist
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones. It also provides practice in creating depth and form through subtle value changes and soft brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with a thin wash of burnt umber and raw sienna, creating a soft, atmospheric effect.

  3. step 03

    Block in the main shapes of the face and clothing, using a limited palette of earth tones and white.

  4. step 04

    Refine the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the details of the hair, using short, broken brushstrokes to create texture and volume.

  6. step 06

    Add the highlights and shadows to the clothing, creating a sense of depth and form.

  7. step 07

    Soften the edges of the forms to create a more naturalistic effect.

  8. step 08

    Add final details, such as the pencil in the hand, and adjust the overall composition as needed.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ivory black

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white in varying proportions. Use yellow ochre to add warmth to the highlights and ivory black to deepen the shadows.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much paint and creating a muddy effect.
  • →Ignoring the subtle shifts in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. A medium can be added to the paint to improve its flow and transparency.

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