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home·artworks·Self Dürer Aka. Self Portrait «Dürer»
Self Dürer Aka. Self Portrait «Dürer» by Abdul Mati Klarwein

plate no. 1932

Self Dürer Aka. Self Portrait «Dürer»

Abdul Mati Klarwein, 1957

oilMagic Realismportraitportraitfigurebreadclothtableheadwear
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting draped fabric and still life elements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure, bread, and table.

  2. step 02

    Establish the overall background color with a thin wash of diluted paint.

  3. step 03

    Block in the major areas of color for the skin, clothing, bread, and table, focusing on accurate value relationships.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle shifts in color and value.

  5. step 05

    Develop the folds and shadows in the draped cloth, using a combination of blending and layering techniques.

  6. step 06

    Add details to the bread, such as the crust texture and subtle color variations.

  7. step 07

    Refine the edges and details throughout the painting, ensuring a cohesive and realistic representation.

  8. step 08

    Add final highlights and shadows to enhance the form and create depth.

color palette

primary · titanium white · ultramarine blue · alizarin crimson

secondary · yellow ochre · burnt umber

The painting relies on subtle variations of a limited palette. Mixes of white, blue, and crimson create the overall lavender hue. Yellow ochre and burnt umber are used to warm the skin tones and add depth to the shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·drapery rendering
  • ·value control

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions of the figure.
  • →Ignoring the subtle shifts in value and color.
  • →Oversimplifying the folds in the draped cloth.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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