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home·artworks·Segment of a Street in Nagybánya
Segment of a Street in Nagybánya by Kmetty János

plate no. 7764

Segment of a Street in Nagybánya

Kmetty János

oilImpressionismlandscapestreettreesbuildingsfiguresskylandscape
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and layering brushstrokes to create texture and depth. It also provides practice in simplifying complex scenes into basic shapes and forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the road, buildings, trees, and figures.

  2. step 02

    Block in the sky with a thin layer of blue and white, blending softly.

  3. step 03

    Establish the main areas of color for the road using browns, reds, and creams, varying the tones to create depth.

  4. step 04

    Paint the trees and foliage using greens, browns, and touches of yellow, building up layers of brushstrokes.

  5. step 05

    Add the buildings in the background, simplifying their forms and using muted colors.

  6. step 06

    Paint the figures with simple shapes and colors, paying attention to their relative sizes and positions.

  7. step 07

    Add details like the utility poles and any other small elements.

  8. step 08

    Refine the colors and values throughout the painting, adjusting as needed to create a cohesive and harmonious image.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium red · sap green

Mix browns and blues with white to create the muted tones of the sky and road. Use yellow ochre and burnt umber to create the earth tones. Add small amounts of red and green to dull the colors and create a sense of harmony.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the simplicity of the scene.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear value structure.
  • →Not simplifying the forms of the buildings and trees.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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