apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·See Saw
See Saw by Frederick Morgan

plate no. 0659

See Saw

Frederick Morgan, 1898

oilRomanticismgenre paintingfigureschildrenlandscapetreesflowersseesaw
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape and capturing soft, diffused light. It also provides practice in mixing subtle color variations to create depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, focusing on the placement and proportions of the figures and the seesaw.

  2. step 02

    Block in the main shapes and colors of the background landscape, establishing the overall value structure.

  3. step 03

    Begin to define the figures, starting with the largest shapes and gradually adding details.

  4. step 04

    Mix and apply the skin tones, paying attention to the subtle variations in light and shadow.

  5. step 05

    Paint the clothing, capturing the folds and textures of the fabric.

  6. step 06

    Add details to the background, such as the flowers and foliage, using small brushstrokes.

  7. step 07

    Refine the details of the figures, such as the facial features and hands.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · titanium white · yellow ochre · burnt umber · alizarin crimson

secondary · sap green · ultramarine blue · cadmium yellow

Achieve the skin tones by mixing white, yellow ochre, burnt umber, and a touch of alizarin crimson. Create the greens by mixing yellow and blue, and adjust the value with white or umber.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Neglecting the importance of edges.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke