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home·artworks·Sebastian Martinez
Sebastian Martinez by Francisco Goya

plate no. 1238

Sebastian Martinez

Francisco Goya, 1792

oil, canvasRomanticismportraitportraitfiguremanclothingbookhistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding light and shadow to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figure with simplified color masses, paying attention to the overall value structure.

  4. step 04

    Begin refining the skin tones, layering subtle variations of color to create a realistic effect.

  5. step 05

    Develop the details of the clothing, including the jacket, shirt, and trousers, using a combination of blending and sharper brushstrokes.

  6. step 06

    Paint the book, paying attention to the subtle variations in color and texture.

  7. step 07

    Refine the facial features, focusing on capturing the likeness and expression of the subject.

  8. step 08

    Add final highlights and details to enhance the overall realism and visual impact.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · Prussian blue · cadmium yellow · burnt sienna

Mix skin tones using white, yellow ochre, raw umber, and a touch of red. Achieve the jacket's color by mixing Prussian blue with black and white. Use cadmium yellow and burnt sienna for the trousers.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·scumbling
  • ·blending

common pitfalls

  • →Over-blending, resulting in a flat and lifeless appearance.
  • →Incorrect proportions, leading to an inaccurate likeness.
  • →Ignoring the subtle variations in skin tone, resulting in an unnatural appearance.
  • →Failing to establish a strong value structure, resulting in a lack of depth and form.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, raw umber, yellow ochre, titanium white, Prussian blue, cadmium yellow, burnt sienna)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for layering and blending.

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oil painting for beginners →how to learn by studying the masters →
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