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home·artworks·Seaford, Sussex
Seaford, Sussex by William Collins

plate no. 0362

Seaford, Sussex

William Collins, 1844

oilRomanticismgenre paintingbeachchildrencliffsseaskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape setting. It also provides practice in color mixing to achieve realistic skin tones and natural earth tones.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the large areas of color: sky, sea, sand, and cliffs.

  3. step 03

    Establish the values, paying attention to the light and shadow on the cliffs and figures.

  4. step 04

    Begin to refine the details of the figures, including their clothing and facial features.

  5. step 05

    Add details to the landscape, such as the vegetation on the cliffs and the waves in the sea.

  6. step 06

    Work on the atmospheric perspective, making the distant objects lighter and less detailed.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Glaze the painting to unify the colors and create a sense of atmosphere.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · viridian

Mix blues and whites for the sky, adding a touch of red for the clouds. Use umber, ochre, and sienna for the cliffs, mixing in white and green for highlights and shadows. Create skin tones by mixing red, yellow, and white, with touches of umber for shadows.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·blending
  • ·figure drawing
  • ·landscape painting

common pitfalls

  • →Overworking the details too early
  • →Ignoring the atmospheric perspective
  • →Using too much pure color without mixing
  • →Incorrect proportions of the figures

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#6 flat brush
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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