apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sea Scene
Sea Scene by John Henry Twachtman

plate no. 4370

Sea Scene

John Henry Twachtman, 1893

oil, canvasImpressionismmarinasearockswavescoastmountainsky
some experience helpful

Recreating this painting will help students develop skills in broken color techniques and capturing dynamic movement with expressive brushstrokes. Students will also learn to simplify complex scenes into essential shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, indicating the horizon line, the mountain, and the placement of the main rock formations.

  2. step 02

    Establish the sky and distant sea with thin washes of color, blending the tones softly.

  3. step 03

    Block in the dark values of the mountain and rocks, using a mix of browns and greens.

  4. step 04

    Begin building up the waves with layers of broken color, using blues, greens, and whites.

  5. step 05

    Add highlights to the crests of the waves with thick, impasto strokes of white paint.

  6. step 06

    Refine the details of the rocks, adding texture and variation with dry brush techniques.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to capture the movement of the water.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · yellow ochre · viridian green · cadmium yellow

Mix blues and whites for the water, adding touches of green and yellow for variation. Use burnt umber and white to create the neutral tones of the sky and rocks. Mix greens from blue and yellow.

techniques

  • ·broken color
  • ·impasto
  • ·dry brush
  • ·scumbling
  • ·wet-on-wet blending

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the movement of the water.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#6 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·mineral spirits
  • ·oil paints

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann