apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sea and Sunset Glow
Sea and Sunset Glow by Albert Julius Olsson

plate no. 4901

Sea and Sunset Glow

Albert Julius Olsson, 1914

oilImpressionismmarinaseawavesrocksskysunsetclouds
some experience helpful

Recreating this painting will help students develop skills in blending colors to create atmospheric perspective and capturing the movement of water with expressive brushstrokes. It also provides practice in observing and representing subtle color variations in light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into sky, sea, and rocks.

  2. step 02

    Establish the horizon line and the placement of the main rock formations.

  3. step 03

    Block in the sky with broad strokes of yellow, orange, and gray, blending the colors softly.

  4. step 04

    Paint the sea with horizontal strokes, using varying shades of blue, green, and white to suggest depth and movement.

  5. step 05

    Add the waves, focusing on capturing their shape and the way they break against the rocks.

  6. step 06

    Paint the rocks with a mix of browns, greens, and grays, using short, broken strokes to create texture.

  7. step 07

    Add highlights to the waves and rocks to suggest the reflection of the sunset.

  8. step 08

    Refine the details and adjust the colors as needed to achieve the desired effect.

color palette

primary · yellow ochre · ultramarine blue · titanium white · burnt umber

secondary · cadmium orange · sap green · payne's gray

Achieve the sky colors by mixing yellow ochre with white and small amounts of orange and gray. Mix greens for the water by combining ultramarine blue and yellow ochre, adjusting the ratio for different shades. Use burnt umber and white to create the darker tones in the rocks.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·layering

common pitfalls

  • →Overblending, which can result in a muddy or flat appearance.
  • →Neglecting the subtle color variations in the water and sky.
  • →Making the waves too uniform or symmetrical.
  • →Failing to capture the texture of the rocks.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (yellow ochre, ultramarine blue, titanium white, burnt umber, cadmium orange, sap green, payne's gray)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Painting medium (e.g., Liquin)

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann