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home·artworks·Scrub Oaks and Maples
Scrub Oaks and Maples by Franklin Carmichael

plate no. 3305

Scrub Oaks and Maples

Franklin Carmichael, 1935

oilArt Nouveau (Modern)landscapetreeslakelandscapeskyhillsfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex forms into expressive brushstrokes. It's a good exercise in capturing the essence of a landscape rather than photorealistic detail.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Block in the sky and distant hills with light blue and gray washes.

  3. step 03

    Establish the general color and value of the lake.

  4. step 04

    Begin layering colors on the trees, starting with darker browns and adding highlights with oranges and reds.

  5. step 05

    Define the shapes of the leaves with short, deliberate brushstrokes.

  6. step 06

    Add details to the foreground, including the rocks and foliage.

  7. step 07

    Refine the details in the distant landscape, paying attention to the subtle color variations.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and dimension.

color palette

primary · Prussian blue · Burnt umber · Cadmium orange · Titanium white

secondary · Yellow ochre · Sap green · Alizarin crimson

Mix various shades of brown by combining burnt umber with Prussian blue and small amounts of cadmium orange. Create muted greens by mixing yellow ochre with Prussian blue. Achieve the sky color by diluting Prussian blue with titanium white.

techniques

  • ·Impasto
  • ·Broken color
  • ·Dry brushing
  • ·Layering
  • ·Scumbling

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating muddy colors by over-mixing on the palette.
  • →Failing to establish a clear value structure.
  • →Not varying the brushstrokes enough to create texture and interest.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (Prussian blue, Burnt umber, Cadmium orange, Titanium white, Yellow ochre, Sap green, Alizarin crimson)
  • ·Assorted brushes (flat, round)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Medium gloss
  • ·Easel
  • ·Color chart

Use good quality oil paints for best results. A medium-textured canvas will help to create a more textured surface.

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oil painting for beginners →how to learn by studying the masters →
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