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home·artworks·Scenery of Guilin
Scenery of Guilin by Wu Guanzhong

plate no. 5457

Scenery of Guilin

Wu Guanzhong, 1973

oilImpressionismlandscapemountainsvillagewatertreesbuildingslandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in simplifying complex scenes into basic shapes and values. It's a good exercise in capturing the essence of a landscape with expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, village, and water, paying attention to the overall composition.

  2. step 02

    Establish the main value ranges by blocking in the darks of the mountains and the lighter tones of the sky and water.

  3. step 03

    Begin adding local color to the mountains, using a mix of grays, greens, and browns.

  4. step 04

    Paint the village buildings with simple white and light-colored blocks, adding small details like roofs and windows.

  5. step 05

    Develop the water with horizontal brushstrokes, blending blues and greens to create a sense of depth.

  6. step 06

    Add the bare trees in the foreground, using thin, gestural lines.

  7. step 07

    Refine the details of the mountains and village, adding texture and highlights.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · gray · blue · green · brown

secondary · white · orange · red

Mix various shades of gray by combining black and white, and add touches of blue, green, or brown to create subtle variations. Achieve the mountain colors by blending browns, greens, and grays. Mix the water color with blues, greens, and white.

techniques

  • ·dry brush texture
  • ·layering
  • ·scumbling
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Creating too much contrast and making the painting look harsh.
  • →Not simplifying the complex shapes of the mountains and village.
  • →Using colors that are too saturated and not blending them effectively.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-textured canvas to help create the broken color effect. Acrylics will dry faster, but oils allow for more blending time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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