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home·artworks·Scenery in Southern France
Scenery in Southern France by Winston Churchill

plate no. 3216

Scenery in Southern France

Winston Churchill

oilImpressionismlandscapeskycloudstreeslandscapewaterbuilding
some experience helpful

Recreating this painting will help students develop skills in layering colors to create atmospheric perspective and using broken color to represent light and texture. It's a good exercise in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the landscape: horizon line, water, trees, and clouds.

  2. step 02

    Block in the sky with a thin wash of blue and gray, leaving areas for the clouds.

  3. step 03

    Add the basic shapes of the clouds with white and touches of yellow and pink.

  4. step 04

    Block in the distant hills and trees with muted greens and browns.

  5. step 05

    Paint the water with horizontal strokes of gray, white, and blue, reflecting the sky.

  6. step 06

    Add details to the trees, focusing on their verticality and the shapes of their crowns.

  7. step 07

    Paint the foreground with darker greens and browns, adding texture with short, broken strokes.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt umber · cadmium yellow · alizarin crimson

Mix various shades of gray by combining white, blue, and a touch of umber. Use yellow ochre and a touch of crimson to create warm highlights in the clouds and landscape.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·wet-on-dry layering
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using colors that are too saturated and not reflecting the muted tones of the scene.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Making the brushstrokes too uniform and losing the texture of the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes (sizes 2, 6, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·paper towels

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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