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home·artworks·Scene in the Piazza del Popolo, Rome
Scene in the Piazza del Popolo, Rome by Thomas Jones Barker

plate no. 9197

Scene in the Piazza del Popolo, Rome

Thomas Jones Barker

oilRomanticismcityscapecityscapebuildingpeopleskyobeliskarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering architectural details with simplified forms. It also provides practice in depicting crowds and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, obelisk, and crowd using light pencil lines.

  2. step 02

    Establish the horizon line and the overall composition, paying attention to perspective.

  3. step 03

    Block in the main color areas: sky, buildings, ground, and the general tone of the crowd.

  4. step 04

    Begin refining the building details, focusing on the light and shadow patterns.

  5. step 05

    Add details to the crowd, using small brushstrokes to suggest individual figures.

  6. step 06

    Work on the obelisk, capturing its texture and form.

  7. step 07

    Refine the sky and ground, blending colors to create atmospheric perspective.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · burnt sienna · ultramarine blue · cadmium red

Mix yellow ochre and raw umber with white for the building's base color. Use ultramarine blue and burnt sienna to create muted grays for shadows and atmospheric perspective. Add small amounts of cadmium red to create the red accents.

techniques

  • ·atmospheric perspective
  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·simplified architectural rendering

common pitfalls

  • →Getting lost in details too early; focus on the overall composition first.
  • →Making the colors too saturated; aim for muted and natural tones.
  • →Ignoring the perspective; ensure the buildings and obelisk recede correctly.
  • →Overworking the crowd; use loose brushstrokes to suggest figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·varnish

A toned canvas (e.g., with a thin wash of raw umber) can be helpful for establishing the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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