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home·artworks·Scene in the near East
Scene in the near East by Alexandre-Gabriel Decamps

plate no. 9231

Scene in the near East

Alexandre-Gabriel Decamps

oil, canvasRomanticismgenre paintingarchitecturefigureslandscapeskybuildingshills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through value changes. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings and figures.

  2. step 02

    Establish the dark areas of the foreground with a thin wash of dark brown.

  3. step 03

    Block in the sky with light blues and grays, blending softly.

  4. step 04

    Paint the buildings with a mix of white, ochre, and a touch of brown, varying the tones to create form.

  5. step 05

    Add the figures, simplifying their shapes and focusing on their silhouettes.

  6. step 06

    Develop the background hills with muted greens and browns, using lighter values to suggest distance.

  7. step 07

    Refine the details of the buildings and figures, adding subtle highlights and shadows.

  8. step 08

    Add final details such as the washing lines and vegetation.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve the muted tones by mixing complementary colors and adding white. Use raw umber and ultramarine blue for the dark foreground shadows.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·value studies
  • ·blocking in

common pitfalls

  • →Overworking the details too early.
  • →Creating too much contrast in the background, which will flatten the image.
  • →Making the figures too detailed and distracting from the overall scene.
  • →Not establishing a strong value structure early on.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to allow for some visible brushstrokes. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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