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home·artworks·Scene in the Lake District, near Buttermere
Scene in the Lake District, near Buttermere by Thomas Girtin

plate no. 1250

Scene in the Lake District, near Buttermere

Thomas Girtin, 1797

oilRomanticismlandscapelandscapecottagebridgemountainstreesfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose watercolor washes. It also provides practice in rendering architectural details and figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: mountains, cottage, bridge, and trees.

  2. step 02

    Apply a light wash of diluted blue and grey for the sky and distant mountains.

  3. step 03

    Add a slightly darker wash of green and brown to the mid-ground hills and fields.

  4. step 04

    Paint the cottage with light washes of ochre and burnt sienna, defining the roof and brick details.

  5. step 05

    Render the bridge with similar colors, paying attention to the arch and shadows.

  6. step 06

    Add details to the trees using a mix of greens, browns, and greys, varying the brushstrokes for texture.

  7. step 07

    Paint the figures with small, quick strokes, using red and brown for clothing.

  8. step 08

    Add final details and shadows to enhance depth and form.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · raw umber · ivory black · cadmium red light

Mix ultramarine blue with burnt sienna to create various shades of grey for the sky and mountains. Use yellow ochre and burnt sienna for the cottage and bridge. Add a touch of red to the brown for the figures.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·layering washes
  • ·broken color

common pitfalls

  • →Overworking the details, losing the freshness of the watercolor.
  • →Using colors that are too saturated, resulting in a less naturalistic look.
  • →Ignoring the importance of light and shadow to create depth.
  • →Making the initial sketch too heavy, which can show through the watercolor.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser
  • ·masking tape

optional

  • ·palette knife
  • ·ruler
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varied textures.

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oil painting for beginners →how to learn by studying the masters →
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