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home·artworks·Scene in Normandy
Scene in Normandy by Richard Parkes Bonington

plate no. 0276

Scene in Normandy

Richard Parkes Bonington, 1823

oil, canvasRomanticismlandscapelandscapefiguresskyfieldpathanimals
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and subtle color blending to create a sense of depth and distance. It also provides practice in rendering figures and animals in a simplified, impressionistic style.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the horizon line, the path, and the placement of the figures and landscape elements.

  2. step 02

    Apply a thin wash of diluted burnt umber or raw sienna to tone the canvas and create an underpainting.

  3. step 03

    Block in the sky with a light, creamy mixture of white, yellow ochre, and a touch of blue, blending the colors softly.

  4. step 04

    Paint the distant landscape using muted greens, browns, and blues, gradually increasing the color intensity as you move towards the foreground.

  5. step 05

    Add the path with varying shades of yellow ochre, raw sienna, and white, creating texture with short, broken brushstrokes.

  6. step 06

    Paint the figures and animals with simplified shapes and colors, paying attention to their relative sizes and positions.

  7. step 07

    Add details such as the fence, vegetation, and distant buildings, using a smaller brush.

  8. step 08

    Glaze with thin washes of color to unify the painting and enhance the atmospheric effects.

color palette

primary · yellow ochre · raw sienna · titanium white · burnt umber

secondary · ultramarine blue · sap green · cadmium yellow light

Achieve the muted tones by mixing complementary colors and using white to soften the intensity. Use thin washes of color to create atmospheric effects.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating too much contrast and flattening the sense of depth.
  • →Using colors that are too saturated and vibrant.
  • →Neglecting the importance of the sky in establishing the overall mood.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw sienna oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

Use a medium-grain canvas for optimal texture. Consider using a limited palette to simplify the color mixing process.

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