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home·artworks·Scene from the Academy in Copenhagen
Scene from the Academy in Copenhagen by Knud Baade

plate no. 7050

Scene from the Academy in Copenhagen

Knud Baade, 1828

oil, canvasRomanticisminteriorinteriorsculpturesfiguresartiststudioarchitecture
experienced study

Recreating this painting will help students develop skills in rendering complex scenes with multiple figures and objects, as well as understanding the use of light and shadow to create depth and form. It also provides practice in depicting realistic textures and architectural details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Focus on establishing the light source and how it affects the various forms in the scene.

  4. step 04

    Develop the sculptures, paying close attention to their anatomical accuracy and the play of light and shadow on their surfaces.

  5. step 05

    Add details to the architectural elements, such as the columns, walls, and balcony.

  6. step 06

    Render the figures of the artists, capturing their poses and expressions.

  7. step 07

    Refine the details and textures throughout the painting, adding highlights and shadows to create depth and realism.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and harmonious composition.

color palette

primary · raw umber · ivory black · titanium white

secondary · yellow ochre · burnt sienna · Prussian blue

Achieve the muted tones by mixing the primary colors with small amounts of the secondary colors. Use white to lighten the values and create highlights.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·linear perspective

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition and values.
  • →Failing to accurately depict the anatomical proportions of the sculptures and figures.
  • →Overworking the painting and losing the freshness of the initial washes.
  • →Ignoring the importance of light and shadow in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·Prussian blue oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for building up layers of paint.

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oil painting for beginners →how to learn by studying the masters →
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