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home·artworks·Savior in the crown of thorns
Savior in the crown of thorns by Viktor Vasnetsov

plate no. 2015

Savior in the crown of thorns

Viktor Vasnetsov, 1906

oilRomanticismreligious paintingfigurereligiousportraitcrown of thornshalo
some experience helpful

Recreating this painting will help students develop skills in tonal shading, capturing facial expressions, and creating a sense of depth using value contrast. It also provides practice in rendering textures like hair and woven materials.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, halo, and shoulders, paying attention to proportions.

  2. step 02

    Establish the darkest areas of the drawing, such as the hair, beard, and shadows under the crown of thorns.

  3. step 03

    Begin to build up the mid-tones using hatching and cross-hatching techniques.

  4. step 04

    Focus on the facial features, paying close attention to the eyes, nose, and mouth to capture the expression.

  5. step 05

    Add details to the crown of thorns, carefully rendering the individual thorns and their shadows.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and form.

  7. step 07

    Soften edges where needed to blend tones and create a more natural look.

  8. step 08

    Add final details and adjust values as needed to complete the drawing.

color palette

primary · sepia · ivory black

secondary · raw umber · white

Mix sepia and ivory black to create a range of dark tones. Add white to lighten the tones for highlights and mid-tones. Raw umber can be used to add warmth to certain areas.

techniques

  • ·hatching
  • ·cross-hatching
  • ·tonal shading
  • ·blending
  • ·dry brushing

common pitfalls

  • →Overworking the drawing and losing the initial freshness.
  • →Failing to establish a full range of values, resulting in a flat image.
  • →Getting lost in the details and neglecting the overall composition.
  • →Not paying enough attention to the proportions of the face.

materials

surface · drawing paper (toned or white)

required

  • ·charcoal pencils (soft, medium, hard)
  • ·kneaded eraser
  • ·drawing paper (toned or white)
  • ·blending stumps
  • ·fixative spray
  • ·ruler

optional

  • ·tortillon
  • ·sandpaper block
  • ·drawing board

Toned paper can help to establish mid-tones more quickly. Use a kneaded eraser to lift highlights and soften edges.

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