apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sarah Homes Tappan
Sarah Homes Tappan by Gilbert Stuart

plate no. 7592

Sarah Homes Tappan

Gilbert Stuart, 1814

oilRomanticismportraitportraitfiguredresschairheadwearbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and capturing likeness. It also provides practice in rendering fabric and subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the background color with a thin wash.

  3. step 03

    Block in the main areas of color for the dress, face, and chair.

  4. step 04

    Begin to refine the skin tones, paying attention to highlights and shadows.

  5. step 05

    Work on the details of the dress, including the folds and textures.

  6. step 06

    Add details to the headwear, focusing on the lace and ribbons.

  7. step 07

    Refine the chair and add any remaining details.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · burnt sienna · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · ivory black

Skin tones are achieved by mixing burnt sienna, cadmium red, and titanium white, with small amounts of ultramarine blue and yellow ochre for subtle variations. The dress is a mix of cadmium red and burnt sienna, lightened with white.

techniques

  • ·portraiture
  • ·blending
  • ·scumbling
  • ·glazing
  • ·color mixing

common pitfalls

  • →Incorrect proportions
  • →Overly harsh blending
  • →Muddy skin tones
  • →Ignoring subtle color variations

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (burnt sienna, titanium white, cadmium red, ultramarine blue, yellow ochre, ivory black)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke