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home·artworks·Santa Maria Maggiore seen from the Gardens
Santa Maria Maggiore seen from the Gardens by Penry Williams

plate no. 9323

Santa Maria Maggiore seen from the Gardens

Penry Williams, 1827

oil, canvasRomanticismcityscapearchitecturebuildinglandscapeskypeacockgarden
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering architectural details with subtle color variations. It also provides practice in creating a sense of depth and distance.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building, the terrace, and the peacock.

  2. step 02

    Establish the sky with light, blended washes of pale blue and pink.

  3. step 03

    Block in the distant building using a muted palette of ochre, gray, and white, paying attention to the overall form and perspective.

  4. step 04

    Paint the terrace and foreground, establishing the light and shadow patterns to create depth.

  5. step 05

    Add details to the architecture, using fine brushes to define the windows, columns, and other features.

  6. step 06

    Paint the foliage, using a variety of greens and browns to create texture and depth.

  7. step 07

    Add the peacock, focusing on its iridescent colors and graceful form.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric painting.

color palette

primary · titanium white · yellow ochre · raw umber · ultramarine blue

secondary · burnt sienna · cadmium yellow light · viridian

Achieve the muted tones by mixing complementary colors and adding white. Use thin washes for the sky and distant elements. Mix greens by combining blues and yellows with a touch of brown.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·blending
  • ·linear perspective

common pitfalls

  • →Overworking the details in the distant building, losing the atmospheric effect.
  • →Creating harsh lines and edges, failing to blend the colors smoothly.
  • →Ignoring the light and shadow patterns, resulting in a flat and lifeless painting.
  • →Making the peacock too bright and distracting from the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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