
plate no. 7722
Recreating this painting will help students develop skills in watercolor washes and creating atmospheric perspective. It also provides practice in rendering architectural details with simplified brushstrokes.
technical profile
approach — 8 steps
Lightly sketch the main shapes: the basilica, surrounding buildings, and the gondola.
Apply a light wash of diluted blue and gray for the sky, leaving some areas white for clouds.
Paint the water with horizontal washes of blue and gray, creating subtle reflections.
Begin layering colors on the basilica, using light washes of yellow, ochre, and gray to define the form and shadows.
Add details to the buildings, focusing on windows, arches, and other architectural elements.
Paint the gondola with dark tones, adding a touch of red for the figure.
Refine the reflections in the water, using darker tones to emphasize the shapes.
Add final details and highlights to complete the painting.
color palette
primary · cerulean blue · raw umber · yellow ochre
secondary · burnt sienna · payne's gray
Mix blues and grays for the sky and water. Use yellow ochre and raw umber for the buildings, adding touches of burnt sienna for warmth. Vary the intensity of colors by diluting with water.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes to achieve varying levels of detail.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke