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home·artworks·Santa Maria della Salute, Venice
Santa Maria della Salute, Venice by William Leighton Leitch

plate no. 7722

Santa Maria della Salute, Venice

William Leighton Leitch

oilRomanticismcityscapearchitecturewaterskybuildingsboatcityscape
some experience helpful

Recreating this painting will help students develop skills in watercolor washes and creating atmospheric perspective. It also provides practice in rendering architectural details with simplified brushstrokes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the basilica, surrounding buildings, and the gondola.

  2. step 02

    Apply a light wash of diluted blue and gray for the sky, leaving some areas white for clouds.

  3. step 03

    Paint the water with horizontal washes of blue and gray, creating subtle reflections.

  4. step 04

    Begin layering colors on the basilica, using light washes of yellow, ochre, and gray to define the form and shadows.

  5. step 05

    Add details to the buildings, focusing on windows, arches, and other architectural elements.

  6. step 06

    Paint the gondola with dark tones, adding a touch of red for the figure.

  7. step 07

    Refine the reflections in the water, using darker tones to emphasize the shapes.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · cerulean blue · raw umber · yellow ochre

secondary · burnt sienna · payne's gray

Mix blues and grays for the sky and water. Use yellow ochre and raw umber for the buildings, adding touches of burnt sienna for warmth. Vary the intensity of colors by diluting with water.

techniques

  • ·watercolor washes
  • ·wet-on-dry
  • ·dry brush
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking the details, losing the freshness of the watercolor.
  • →Using colors that are too saturated, resulting in a flat and unrealistic appearance.
  • →Ignoring the importance of light and shadow, making the buildings appear flat.
  • →Not allowing washes to dry completely before adding subsequent layers.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb cold press)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser
  • ·masking tape

optional

  • ·palette knife
  • ·masking fluid
  • ·ruler

Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes to achieve varying levels of detail.

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oil painting for beginners →how to learn by studying the masters →
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