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home·artworks·Santa Maria Della Salute, Venice
Santa Maria Della Salute, Venice by Martín Rico y Ortega

plate no. 4275

Santa Maria Della Salute, Venice

Martín Rico y Ortega, 1902

oilImpressionismcityscapewaterbuildingsgondolasskyfigurescityscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle color variations in water and architectural details. They will also learn to simplify complex scenes by focusing on key shapes and values.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major landmarks.

  2. step 02

    Block in the sky with a light blue, creating a subtle gradient from top to bottom.

  3. step 03

    Establish the main shapes of the buildings and gondolas with simplified forms and values.

  4. step 04

    Begin layering colors in the water, using horizontal brushstrokes to suggest movement.

  5. step 05

    Add details to the buildings, focusing on the play of light and shadow.

  6. step 06

    Paint the figures, simplifying their forms and using small brushstrokes.

  7. step 07

    Refine the details in the gondolas and water, adding highlights and reflections.

  8. step 08

    Add final touches, such as birds and small details in the architecture.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt umber · cadmium red light · viridian

Mix various shades of blue and white for the sky and water. Use yellow ochre and burnt umber to create warm tones for the buildings. Add small amounts of red and green to create variations in the shadows.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Getting bogged down in details too early.
  • →Overworking the painting and losing the freshness of the initial layers.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·#2 filbert brush
  • ·linseed oil

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a painting medium to improve the flow of the paint.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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