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home·artworks·Santa Maria del Carmelo and Scuola Grande dei Carmini
Santa Maria del Carmelo and Scuola Grande dei Carmini by John Singer Sargent

plate no. 0697

Santa Maria del Carmelo and Scuola Grande dei Carmini

John Singer Sargent, 1910

oil, canvasImpressionismcityscapebuildingarchitecturecityscapefacadewindowsshadows
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow on architectural forms, as well as simplifying complex structures into basic shapes. It also provides practice in using a limited palette to create a sense of atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic shapes and perspective of the buildings.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Establish the darkest darks and lightest lights to create contrast.

  4. step 04

    Develop the details of the architecture, such as windows and moldings, using thicker paint and visible brushstrokes.

  5. step 05

    Pay attention to the direction of light and how it affects the colors and shadows.

  6. step 06

    Soften edges and blend colors where necessary to create a sense of atmosphere.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Step back and assess the overall balance and harmony of the painting.

color palette

primary · titanium white · yellow ochre · burnt umber

secondary · ultramarine blue · raw sienna

Mix white with yellow ochre and a touch of burnt umber to create the warm tones of the buildings. Use ultramarine blue to cool down the shadows. Raw sienna can be used to create a range of earth tones.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Getting lost in the details too early.
  • →Overworking the painting.
  • →Not paying attention to the direction of light.
  • →Failing to simplify the complex architectural forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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