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home·artworks·San Remo (Santa Brigita Arc)
San Remo (Santa Brigita Arc) by Rudolf Schweitzer-Cumpana

plate no. 6218

San Remo (Santa Brigita Arc)

Rudolf Schweitzer-Cumpana, 1939

oilImpressionismcityscapearchitecturearchwayfigurescityscapebuildingstreet
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with loose brushstrokes and understanding atmospheric perspective to create depth. It also provides practice in simplifying complex architectural forms.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the archway, the building, and the figures, focusing on proportions and perspective.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin adding local color, starting with the dominant hues of the building and the sky visible through the arch.

  4. step 04

    Develop the details of the architectural elements, such as the columns and the statue, using thicker paint and more defined brushstrokes.

  5. step 05

    Add the figures in the foreground, paying attention to their relative sizes and positions within the scene.

  6. step 06

    Refine the details and add highlights to create a sense of depth and atmosphere.

  7. step 07

    Use broken color and short brushstrokes to create texture and visual interest.

  8. step 08

    Adjust the overall composition and value structure as needed to create a cohesive and balanced painting.

color palette

primary · yellow ochre · raw umber · titanium white · ultramarine blue

secondary · burnt sienna · cadmium yellow · ivory black

Mix various shades of gray and brown by combining the primary colors. Use white to lighten the colors and create highlights. Add small amounts of secondary colors to create subtle variations in hue.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of value contrast in creating depth.
  • →Failing to simplify the complex architectural forms.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·mineral spirits
  • ·yellow ochre oil paint
  • ·raw umber oil paint

optional

  • ·medium gloss
  • ·easel
  • ·painting rags
  • ·color chart

Use a medium-textured canvas to enhance the broken color effect. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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